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    Bade Ghulam Ali Khan - EALP 1364 LP Vinyl Record
  • Bade Ghulam Ali Khan - EALP 1364 LP Vinyl Record

Bade Ghulam Ali Khan - EALP 1364 LP Vinyl Record

Record Details

Title

Bade Ghulam Ali Khan 

Singer

Bade Ghulam Ali Khan 

Releasing Year

1971

Type

Indian Classical (Vocal)

Language

Hindi

Label

HMV First Print

Made In

India

Serial No.

EALP 1364

Side One

  • Raga Shuddha Sarang - Khayal Vilambit And Drut

This is one of the most popular midday melodies. It omits the third (ga) note from the scale. It makes use of the sixth (dha) note only in the descent (avaroha) while the fourth (ma) note is permitted in its flat (komal) and sharp (teevra) variations as well. The use of the flat seventh (komal ni) in the descent (avaroha) is also in vogue. The second (re) and the fifth (pa) are the dominant (vadi) and sub-dominant (samvadi) notes. The raga is known for its benign, profound character.

Side Two

  • Raga Megh Malhar - Sadra And Khayal

This pentationic (odava) raga is one of the most celebrated melodies of the North Indian tradition. It omits the third (ga) and sixth (dha) notes from the scale. The seventh (ni) note is used in its sharp (teevra) and flat (komal) variations. The raga takes the first (sa) and fifth (pa) as its dominant (vadi) and sub-dominant (samvadi) notes, respectively. The raga belongs to the Malhar group and is therefore associated with the rainy season. It depicts a deep, serious mood.

  • Raga Pahadi - Thumri

This theme is based on Pahadi, a raga known for its delicate lyricism.

Specification

Size

12 Inches

Speed

33 RPM

Record Condition

90-95%

Cover Condition

Excellent

   
   
Default
Description Bade Ghulam Ali Khan - EALP 1364 LP Vinyl Record Record Details Title Bade Ghulam Ali Khan  Singer Bade Ghulam Ali Khan  Releasing Year 1971 Type Indian Classical (Vocal) Language Hindi Label HMV First Print Made In India Serial No. EALP 1364 Side One Raga Shuddha Sarang - Khayal Vilambit And Drut This is one of the most popular midday melodies. It omits the third (ga) note from the scale. It makes use of the sixth (dha) note only in the descent (avaroha) while the fourth (ma) note is permitted in its flat (komal) and sharp (teevra) variations as well. The use of the flat seventh (komal ni) in the descent (avaroha) is also in vogue. The second (re) and the fifth (pa) are the dominant (vadi) and sub-dominant (samvadi) notes. The raga is known for its benign, profound character. Side Two Raga Megh Malhar - Sadra And Khayal This pentationic (odava) raga is one of the most celebrated melodies of the North Indian tradition. It omits the third (ga) and sixth (dha) notes from the scale. The seventh (ni) note is used in its sharp (teevra) and flat (komal) variations. The raga takes the first (sa) and fifth (pa) as its dominant (vadi) and sub-dominant (samvadi) notes, respectively. The raga belongs to the Malhar group and is therefore associated with the rainy season. It depicts a deep, serious mood. Raga Pahadi - Thumri This theme is based on Pahadi, a raga known for its delicate lyricism. Specification Size 12 Inches Speed 33 RPM Record Condition 90-95% Cover Condition Excellent        
Genre Indian Classical Instrumental
Label HMV First Print
Language Hindi
Releasing Year 1971 - 1980
Short Description Title Bade Ghulam Ali Khan - EALP 1364 Singer Bade Ghulam Ali Khan Releasing Year 1971 Type Indian Classical (Vocal) Language Hindi Label HMV Made In India Serial No. EALP 1364
Size 12 Inches
Speed 33 RPM

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Bade Ghulam Ali Khan - EALP 1364 LP Vinyl Record

  • Product Code: EALP 1364
  • Availability: In Stock
  • ₹3,540.00

  • Ex Tax: ₹3,000.00